An analysis of the west side story

Bernardo meets up with his friends. Ice has taken over as leader of the Jets. In black anger, Anita delivers the wrong message -- she says Maria is dead, shot by Chino for loving Tony.

West Side Story

Blissfully unaware of what has happened, Maria is waiting for Tony on the tenement roof. When Doc breaks the news to Tony, he leaves the shop in despair.

West Side Story (1961)

The Jets scatter out to find Tony, including Anybodys, whose deed officially makes her a Jet. This number displays dynamic movement through space articulated through the roof-top choreography. Tony tries to stop Riff, but Ice and Tiger hold him back. The police and gang members arrive.

When they are alone, the Jets begin to discuss what they will do about the Sharks. When he leaves, they lampoon him, along with judges, psychiatrists and social workers "Gee, Officer Krupke". Anita likes the couple, but is clearly afraid of what might happen if Bernardo knows they are seeing each other.

The same night, after the dance, the Jets and Sharks meet to decide where their planned rumble will take place. As he utters it continually, it repeatedly triggers his emotional response. As in Romeo and Juliet, tragedy has brought the feuding between the two gangs to an end.

They begin to dance, but are interrupted by Bernardo, who angrily orders Maria home, and tells Tony to stay away from his sister. The tempo of clicking throughout the film reflects the rate of An analysis of the west side story flow of the character doing the clicking.

Note also how at the end of the number, the melodic motif of "Maria" slightly upsets the harmonic resolution. In that number, the notes convey extreme tension ; in this number they convey a sense of resolve.

Once each individual member has let off his own steam in isolated choreographic displays, the whole gang then dance the "Cool" melody with full orchestration. Note also the reverb of the voice which goes with the fade-up at the start of the number, as if he is dwelling upon the sensation he experienced at the dance.

Lieutenant Schrank arrives and questions Maria about the events leading up to the Rumble. The next day, Maria and her friends are working at the bridal shop, and Maria is in an unusually happy mood. Angered, Chino tells Maria that Tony killed her brother, then leaves. The chorus from this song is occasionally played in fragments during the "Prologue".

Theatrics are thus highlighted rather than subsumed into modes of realism. Anita then tells Maria about Chino searching for Tony with a gun.

Opening Visual abstraction functions like the drawn curtain of the stage musical while the orchestra plays the Overture condensation of the numbers you are about to hear. Bernardo arrives and takes her to the dance, where she meets some friends, Rosalia and Consuelo.

The visuals are then revealed to be an ariel view of the isle of Manhattan. Maria finds that in spite of everything, she still loves Tony and begs him to stay with her. Maria demands that Tony stop the fight altogether, but before Tony leaves, they pretend that the bridal clothes in the shop are for them, and imagine their engagement and wedding "One Hand, One Heart".

Riff agrees, and Bernardo reluctantly accepts. Although it is spoken, the semantic interactions are primarily framed in musical counterpoint and syncopation. Mise-en-scene refers to the organization of meaning and conveyance of effects through set design, art direction, visual production, etc.

Note the multiple rhythms visual, musical, temporal, etc. Once completed they can then go back to the Jazz-combo instrumentation of the number - signifying that everything is back under control.

Apart from being the first movie to treat youth themes and symbols in operatic style and form, WEST SIDE STORY is also historically footnoted as being the first major musical to fully utilize outdoor locations for whole numbers, such as in the long prologue sequence with the Jets and the Sharks baiting each other.

It was also the first musical to tackle contemporary social themes in modern settings, considering how musicals from the 30s up through the 50s were predominantly either Fantasy, Period or Theatre in their settings and visualizations. They reaffirm their love "Somewhere".

This sets off a free-for-all amidst the gang members. This number works through the dilemma of having to let off steam to keep sane, but also keep it all under control for the purposes of display.

Tony then runs through the streets shouting for Chino and begging him to kill him too.West Side Story is ground-breaking in a lot of ways, but when it comes to delivering the information, it tends to rely on the tried-and-true technique of moving to the character we need to see when.

An analysis of the interpersonal relationship and communication between Maria and Tony. Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising.

If you continue browsing the site, you agree to the use of cookies on this website. Summaries. West Side Story is the award-winning adaptation of the classic romantic tragedy, "Romeo and Juliet".

The feuding families become two warring New York City gangs- the white Jets led by Riff and the Puerto Rican Sharks, led by Bernardo. Joseph P. Swain spend an entire chapter on the analysis of West Side Story. On the other hand, in The Rise and Fall of the Broadway Musical, Mark Grant concentrates on the growth of the musical in light of changes in technology and music, and in writing the book and lyrics.9 He.

Feb 15,  · Although "West Side Story" was named the best picture of and won 10 Academy Awards, it is not much mentioned by movie fans these days, and the old warhorse "Singin' in the Rain" is probably more seen and certainly better loved.4/4. West Side Story Essay Examples.

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An analysis of the west side story
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